Even coarser are the portrayals of the two couples’ respective children (Colby Minifie, Keenan Jolliff, and Ned Riseley). Two of Ouisa and Flan’s friends are also taken in by Paul’s charade, and unfortunately Lisa Emery and Michael Countryman’s performances turn them into repellent caricatures. Or what he wants Ouisa to think is his attraction to her. He’s the one who’s supposed to dominate as he cleverly manipulates his way into the Kittredge home with breathtaking speed.ĭespite the unnecessary competition from Janney and Hickey, Corey Hawkins (“Straight Outta Compton”) immediately takes focus, keeps it and even manages to give a slyly malevolent undertone to what could be Paul’s attraction to Ouisa. The broadness of these two performances also undercuts the role of Paul, who is the alpha character here. He would never be attracted to them as people.Īlso Read: 'Charlie and the Chocolate Factory' Broadway Review: Christian Borle to the Rescue Paul is no doubt attracted to their wealth. Allison Janney and John Benjamin Hickey are diverting as Ouisa and Flan they display razor-sharp timing, but they go for the laughs by stressing the characters’ materialism.
And as played by Channing and Sutherland, this couple was charming, polite, delightful, and you understood why Paul would be attracted to them.Ĭullman directs “Six Degrees” as a not very sophisticated farce, especially in the play’s first half. In addition to possessing innate charm, they are also money-obsessed people to whom art no longer means much, except what selling it can buy them. They welcomed the audience, too, since Ouisa and Flan address us throughout much of the play. It wasn’t only Paul they welcomed into their fabulous Fifth Avenue apartment with its two-sided Kandinsky painting. Memory can be a tricky thing, but one thing Stockard Channing and John Cunningham managed to do in the original LCT production as Ouisa and Flan (only WASPs could tolerate such names) was to give the impression of one big embrace. Guare’s insightful portrait of that high society survives even Trip Cullman’s far too brash direction of this revival. Who wouldn’t?Īlso Read: 'Anastasia' Broadway Review: A Muddled, Pro-Czarist Russia Musical for the Trump Era He not only yearns to be Ouisa and Flan’s son, he wants to belong to their world of wealth, grace, privilege, elegance, and entitlement. The thing is, without the other 15 actors, we’d miss the community that Paul so desperately wants to be a part of. The cast of 18 in “Six Degrees” is especially astounding because it is possible to imagine the play with just its three principal characters: Ouisa and Flan Kittredge, the art-dealer couple living on the Upper East Side in 1990, and the young black man Paul, who is the alleged son of Sidney Poitier. True, Lincoln Center Theater, which originally produced the Guare play, is now staging a new American drama, “Oslo,” with a cast of 18.
The revival, which opened Tuesday at the Barrymore Theatre, also is a reminder of a time in the theater when two- and three-handers did not dominate the nonprofit world. Twenty-seven years after the debut of John Guare’s comedy of manners and mores in Manhattan, “Six Degrees” retains its place as one of the great American plays of the late 20th century. The good news on the Broadway revival of “Six Degrees of Separation” is great news.